In 1862 Bodley abruptly changed artistic direction. His revised design for All Saints, Cambridge abandons the foreign sources and coloured materials of 'developed' Gothic in favour of a more restrained style, based largely on mid-14th-century English architecture. This was far more appropriate for Morris's stained glass and decoration, which were inspired by English medieval examples. In 1869 Bodley suffered a serious illness that left him permanently disabled. As a result, he went into partnership with another former pupil of Scott, Thomas Garner (1838-1906). In the early 1870s they designed together the churches that are their most famous achievements.