Ages of Substrate

The Photography of Gerald McLean

Gerald McLean, one of a number of photographers who share their images with RIBApix, was uniquely privileged to have worked for the renowned architectural photographer John Maltby (1910-1980). In this feature we explore how working for Maltby influenced his own future career as a photographer to the extent of even recreating Maltby’s logo for his own use and with aspirations that it might become an internationally recognised symbol for photographers.

After a succession of aptitude and ability tests and nearing the end of his secondary school education Gerald McLean was offered an apprenticeship in electronic engineering. This may well have been the smart choice, given the advances in computing and all things electronic. Yet having spent the summer exploring silver halide in the darkroom created for him in the garage by his father and elder brothers, he made a lifelong commitment to devote himself to creating a world of his own composition.

Gerald recalls that, “Once I realised that photography occupied the majority of my thoughts and efforts, having first been introduced to the art form at school aged 14, I found my way to the offices of John Maltby Ltd. who offered an apprenticeship in photography. Thus, my journey began.

“The first place it led was to a poorly illuminated and cold storage area where I spent the first three months of my apprenticeship going through all of John’s glass plate negatives. Checking their condition, rewashing, renumbering, re-sleeving and removing those that were broken or beyond repair.  Who would have known that I was saving them for the RIBA Collections?

“As it turns out, looking at thousands of black & white negatives is an extremely good way to hone your sense of composition and lighting. I suspect this was John’s intention all along.”

Although John Maltby Ltd. was a commercial studio covering a wide variety of subjects, Gerald’s main focus centred on architecture. An article for ‘Kodak’ magazine in 1991 summed up his work, Gerald's choice of architecture as his specialized subject was determined by his apprenticeship to architectural photographer John Maltby and his desire to portray that which he perceives to be constructive in our lives - both literal and abstract. Architecture; and the elements from which it is composed provide Gerald with the ideal subject with which to transform those elements into salient pictorial form. In experimenting with the new shapes that presented themselves, he has realized artistic confidence controlling the fundamentals of architectural form; line, mass, space and proportion. International assignments have helped Gerald to photograph buildings from unusual standpoints; to stress those aspects, which communicate the driving aesthetic behind each building to the viewer, without losing the integrity of the architect’s design.”

As photography celebrates its 180th year and with no more glass plate negatives for him to refer to, it is now the revolutionary progress of the camera and its electronics leading to rapid changes in substrates and methodology that ensures Gerald remains a student of the art. Indeed, this is also akin to the advances that he has witnessed in the field of architecture and building practices in particular recalling that, “When I finally advanced to being trusted alone on location and got a driving licence, I was given a building progress assignment. At that time buildings in England were still primarily constructed of bricks. Now bricks are mainly used for decorative purposes, if at all.”

As a personal project, Gerald has created a record of these contemporary building methods and practices during the regeneration of Greenwich Peninsular by Knight Dragon and in time we hope that many of these images and videos will be available through RIBApix. He has also published a book on his time working in Oman, ‘taSauwur: Sultanate of Oman’ and has another entitled ‘Grace – in this place’ of photomontages based on the daydreams of his mother, due for publication in the autumn of 2019.

To see more of Gerald McLean’s work on RIBApix click here

 

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RIBA3829Shopping centre, Pepys Estate, Deptford, London

 
RIBA3830Children's playground, Pepys Estate, Deptford, London

 
RIBA3832Rievaulx Abbey, North Yorkshire: the nave of the church


RIBA3833Head office for insurance firm Willis Faber and Dumas Limited, Ipswich, Suffolk

 
RIBA3834Royal English Opera House, now the Palace Theatre, Cambridge Circus, London

 
RIBA3835City Bank, 45-47 Ludgate Hill, City of London


RIBA3838Model of the final revised design for the National Gallery Extension, Hampton site, Trafalgar Square, London

 
RIBA3839Model of the final revised design for the National Gallery Extension, Hampton site, Trafalgar Square, London

 
RIBA3840View of Potsdam


RIBA3841Lincoln Cathedral: the Angel Choir

 
RIBA3843St Paul's Cathedral, City of London, seen from the steeple of St Martin Ludgate

 
RIBA3844Selfridges department store, Bull Ring, Birmingham: the store juxtaposed with the tower of St Martin's Church


RIBA3845Pompidou Centre (Centre National d'Art et de Culture Georges-Pompidou), Paris

 
RIBA3846W D and H O Wills tobacco factory, Hartcliffe, Bristol

 
RIBA3847Winter House, 81 Swain's Lane, Highgate, London


RIBA3848Richard J Daley Center, formerly the Civic Center, Chicago: steel column oxydidizing

 
RIBA3849Richard J Daley Center, formerly the Civic Center, Chicago: steel column oxydidizing

 
RIBA3850Castle Howard, North Yorkshire: the south front seen from the south-east


RIBA3851German Pavilion, Barcelona

 
RIBA3852Dartmoor

 
RIBA3853Housing nearing completion at the Aylesbury Estate, Walworth, Southwark, London


RIBA3854W D and H O Wills tobacco factory, Hartcliffe, Bristol: head office

 
RIBA3855Campanile of San Marco, Venice

 
RIBA3857Duomo and campanile (Leaning Tower), Campo dei Miracoli, Pisa, seen from the south-west


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